HOODLINS

Client work for a company in LA called Bigfooters. They requested a 2D animatic for their characters Ratchet Raychel and the hoodlins in order to pitch their show to Netflix. I, as the 2D Project Lead, along with a team of 5 others, worked on storyboard shots and cleaning up the animatic the client gave us.

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Thunder & Fangs

What I Know Now

RED

Working with other storyboarders, concept artists, 3D modelers, and storywriters, we created an animatic based on incorporating multiple fairytales together. I worked on storyboarding the opening intro for β€œRed” along with the fighting sequence for the concepts I created of Little Red and Baba Yaga.

WALL-E Spotify

During an animation studio class in college that was treated as a job, I worked in a team taking charge for both commercials that my two different teams created. I worked with 3D artists and other 2D storyboard artists to compose and tell a story with licensed characters promoting products. I did turnarounds and expression character breakdowns for Kirby, Waddle Dee, King Dedede, Wall-E, Eve, and M-O, as well as participated in most of the storyboarding in these commercials. I communicated with everyone in order to composite the storyboards into final animatics with color.

In the animatic Thunder & Fangs, I worked on designing the villain of the story, Fenrir, and storyboarded the end fight between him and Thunder Bird.

A Story About Me

Kirby Doordash